New collected poems
The definitive collected edition of one of our most innovative and beloved poets, Marianne Moore
Available Copies by Location
Location | |
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Community Centre | Checked out |
Browse Related Items
Subject |
American poetry > 20th century. Moore, Marianne, 1887-1972. Women poets, American > 20th century. |
Genre |
Poetry. |
- ISBN: 9780374221041
- ISBN: 0374221049
- ISBN: 9780374537746
- ISBN: 0374537747
-
Physical Description
print
xxvi, 453 pages : illustrations ; 24 cm - Edition First American edition.
- Publisher New York : Farrar, Straus and Giroux, 2017.
- Copyright ℗♭2017
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references and indexes. |
Formatted Contents Note: | Observations (1924) -- Poems 1932-1936 -- The Pangolin and other verse (1936) -- From What are years (1941) -- Nevertheless (1944) -- Poems 1944-1951 -- Like a bulwark (1956) -- From O to be a dragon (1959) -- From The arctic fox (1964) -- From Tell me, tell me (1966) -- Poems 1963-1970. |
Additional Information
New Collected Poems
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Table of Contents
New Collected Poems
Section | Section Description | Page Number |
---|---|---|
Acknowledgments | p. xi | |
Conventions Followed | p. xiii | |
Introduction | p. xv | |
The Poems | ||
Observations (1924) | ||
To an Intra-Mural Rat | p. 5 | |
Reticence and Volubility | p. 6 | |
To a Chameleon | p. 7 | |
A Talisman | p. 8 | |
To a Prize Bird | p. 9 | |
Injudicious Gardening | p. 10 | |
Fear is Hope | p. 11 | |
To a Strategist | p. 12 | |
Is Your Town Nineveh? | p. 13 | |
A Fool, a Foul Thing, a Distressful Lunatic | p. 14 | |
To Military Progress | p. 15 | |
An Egyptian Pulled Glass Bottle in the Shape of a Fish | p. 16 | |
To a Steam Roller | p. 17 | |
Diligence is to Magic as Progress is to Flight | p. 18 | |
To a Snail | p. 19 | |
"The Bricks are Fallen Down, We Will Build with Hewn Stones. The Sycamores are Cut Down, We Will Change to Cedars." | p. 20 | |
George Moore | p. 21 | |
"Nothing will Cure the Sick Lion but to Eat an Ape" | p. 22 | |
To the Peacock of France | p. 23 | |
In this Age of Hard Trying, Nonchalance is Good and | p. 24 | |
To Statecraft Embalmed | p. 25 | |
The Monkey Puzzler | p. 26 | |
Poetry | p. 27 | |
The Past is the Present | p. 29 | |
Pedantic Literalist | p. 30 | |
"He Wrote The History Book" | p. 31 | |
Critics and Connoisseurs | p. 32 | |
To be Liked by You Would be a Calamity | p. 33 | |
Like a Bulrush | p. 34 | |
Sojourn in the Whale | p. 35 | |
My Apish Cousins | p. 36 | |
Roses Only | p. 37 | |
Reinforcements | p. 38 | |
The Fish | p. 39 | |
Black Earth | p. 41 | |
Radical | p. 43 | |
In the Days of Prismatic Color | p. 44 | |
Peter | p. 45 | |
Dock Rats | p. 47 | |
Picking And Choosing | p. 48 | |
England | p. 49 | |
When I Buy Pictures | p. 51 | |
A Grave | p. 52 | |
Those Various Scalpels | p. 53 | |
The Labors of Hercules | p. 54 | |
New York | p. 55 | |
People's Surroundings | p. 56 | |
Snakes, Mongooses, Snake-Charmers, and the Like | p. 59 | |
Bowls | p. 60 | |
Novices | p. 61 | |
Marriage | p. 63 | |
Silence | p. 71 | |
An Octopus | p. 72 | |
Sea Unicorns and Land Unicorns | p. 78 | |
Index | p. 81 | |
Poems 1932-1936 | ||
Part of a Novel, Part of a Poem, Part of a Play | ||
The Steeple-Jack | p. 93 | |
The Student | p. 95 | |
The Hero | p. 97 | |
No Swan So Fine | p. 99 | |
The Jerboa | p. 100 | |
Camellia Sabina | p. 105 | |
The Plumet Basilisk | p. 107 | |
The Frigate Pelican | p. 112 | |
The Buffalo | p. 115 | |
Nine Nectarines and Other Porcelain | p. 117 | |
Pigeons | p. 120 | |
See in the Midst of Fair Leaves | p. 123 | |
Walking-Sticks and Paperweights and Watermarks | p. 124 | |
The Pangolin and Other Verse (1936) | ||
The Old Dominion Virginia Britannia | p. 131 | |
Bird-Witted | p. 136 | |
Half Deity | p. 137 | |
Smooth Gnarled Crape Myrtle | p. 139 | |
The Pangolin | p. 141 | |
From What Are Years (1941) | ||
What are Years? | p. 147 | |
Rigorists | p. 148 | |
Light is Speech | p. 149 | |
He "Digesteth Harde Yron" | p. 151 | |
Spenser's Ireland | p. 154 | |
Four Quartz Crystal Clocks | p. 156 | |
The Paper Nautilus | p. 158 | |
Nevertheless (1944) | ||
Nevertheless | p. 161 | |
The Wood-Weasel | p. 163 | |
Elephants | p. 164 | |
A Carriage from Sweden | p. 167 | |
The Mind is an Enchanting Thing | p. 169 | |
In Distrust of Merits | p. 171 | |
Poems 1944-1951 | ||
"Keeping Their World Large" | p. 177 | |
His Shield | p. 179 | |
Propriety | p. 180 | |
Voracities and Verities Sometimes are Interacting | p. 182 | |
A Face | p. 183 | |
By Disposition of Angels | p. 184 | |
Efforts of Affection | p. 185 | |
The Icosasphere | p. 186 | |
Pretiolae | p. 187 | |
Armor's Undermining Modesty | p. 188 | |
Quoting An Also Private Thought | p. 190 | |
We Call Them the Brave | p. 191 | |
Like a Bulwark (1956) | ||
Bulwarked against Fate | p. 195 | |
Apparition of Splendor | p. 196 | |
Then the Ermine | p. 197 | |
Tom Fool at Jamaica | p. 198 | |
The Web One Weaves of Italy | p. 200 | |
The Staff of Aesculapius | p. 201 | |
The Sycamore | p. 202 | |
Rosemary | p. 203 | |
Style | p. 204 | |
Logic and "The Magic Flute" | p. 205 | |
Blessed is the Man | p. 206 | |
From O TO Be a Dragon (1959) | ||
O to Be a Dragon | p. 209 | |
I May, I Might, I Must | p. 210 | |
A Jellyfish | p. 211 | |
Values in Use | p. 212 | |
Hometown Piece for Messrs. Alston and Reese | p. 213 | |
Enough: Jamestown, 1607-1957 | p. 215 | |
Melchior Vulpius | p. 217 | |
No better than "a withered daffodil" | p. 218 | |
In the Public Garden | p. 219 | |
The Arctic Ox (or Goat) | p. 221 | |
Saint Nicholas | p. 223 | |
For February 14th | p. 225 | |
Combat Cultural | p. 226 | |
Leonardo da Vinci's | p. 227 | |
From The Arctic Ox (1964) | ||
Blue Bug | p. 231 | |
To Victor Hugo of My Crow Pluto | p. 233 | |
Baseball and Writing | p. 236 | |
To a Giraffe | p. 239 | |
Arthur Mitchell | p. 240 | |
Tell Me, Tell Me | p. 241 | |
Rescue with Yul Brynner | p. 243 | |
Carnegie Hall: Rescued | p. 245 | |
An Expedient-Leonardo da Vinci's-and a Query | p. 247 | |
From Tell Me, Tell Me (1966) | ||
Granite and Steel | p. 251 | |
In Lieu of the Lyre | p. 252 | |
The mind, intractable thing | p. 253 | |
Dream | p. 254 | |
Old Amusement Park | p. 255 | |
W. S. Landor | p. 256 | |
Charity Overcoming Envy | p. 257 | |
Saint Valentine | p. 258 | |
Poems 1963-1970 | ||
I've been Thinking ... | p. 261 | |
Love in America? | p. 263 | |
Tippoo's Tiger | p. 264 | |
The Camperdown Elm | p. 265 | |
Mercifully | p. 266 | |
"Like a Wave at the Curl" | p. 267 | |
Enough | p. 268 | |
The Magician's Retreat | p. 269 | |
Appendix: Poems 1915-1918 | ||
To a Man Working his Way through the Crowd | p. 273 | |
To the Soul of "Progress" | p. 274 | |
That Harp You Play So Well | p. 275 | |
Counseil to a Bacheler | p. 276 | |
Appellate Jurisdiction | p. 277 | |
To William Butler Yeats on Tagore | p. 278 | |
To a Friend in the Making | p. 279 | |
Blake | p. 280 | |
Diogenes | p. 281 | |
Feed Me, Also, River God | p. 282 | |
He Made This Screen | p. 283 | |
Holes Bored in a Workbag by the Scissors | p. 284 | |
Apropos of Mice | p. 285 | |
The Just Man And | p. 286 | |
In "Designing a Cloak to Cloak his Designs," you Wrested from Oblivion, a Coat of Immortality for your own Use | p. 287 | |
The Past is the Present | p. 288 | |
You Say You Said | p. 289 | |
Old Tiger | p. 290 | |
Moore's Notes | p. 293 | |
Editor's notes | ||
Editing the Poems | p. 343 | |
Notes | p. 357 | |
Observations | p. 359 | |
Poems 1932-1936 | p. 376 | |
The Pangolin and Other Verse | p. 389 | |
From What Are Years | p. 394 | |
Nevertheless | p. 398 | |
Poems 1944-1951 | p. 400 | |
Like a Bulwark | p. 403 | |
From O to Be a Dragon | p. 407 | |
From The Arctic Ox | p. 413 | |
From Tell Me, Tell Me | p. 416 | |
Poems 1963-1970 | p. 418 | |
Appendix: Poems 1915-1918 | p. 423 | |
Sources for Moore's Notes | p. 426 | |
Original Tables of Contents | p. 429 | |
Works Cited | p. 443 | |
Index of Titles and First Lines | p. 445 |